Introduction
"Family Sunday" at the Poltava Art Museum named after M. Yaroshenko is a gouache painting master class in the style of Sonia Delaunay, which was held for families of internally displaced persons as part of the museum projects "Life Between Sirens", "Children in the Museum", and "Family Sunday". The event took place on July 26, 2026, in Poltava, at European Street, 5, and the master class was conducted by Veronika Zabudska.
This format usually appeals to both children and adults: you don't need to be a "skilled artist" to enjoy the process, and the style of Sonia Delaunay promises a bright, rhythmic, and very cheerful work with color. If you want a calm, yet not boring family outing with the feeling that you created something with your own hands, this is just the case.
About the Event
Officially, this is a gouache painting master class within the museum program that works with family audiences and supports IDP families. From the description, it is clear that the focus is not on "high art for the initiated", but on an accessible creative experience where the museum becomes a space for calm collaborative work.
The museum hosting the event is the Poltava Art Museum (Art Gallery) named after M. Yaroshenko located at European Street, 5 in Poltava. The venue operates as an art museum and gallery, so for such a master class, it is a very natural environment: you come not just for a "class", but to a space where art is part of everyday life.
Plot and Mood
This is not a performance or a concert, so there is no plot in the classical sense. Instead, there is a creative theme: gouache painting in the style of Sonia Delaunay, meaning working with color, rhythm, and decorativeness. Such a format usually gives a sense of light play, where the main thing is not the result "as in art school", but the process itself.
Looking at the mood of the event, it is rather quiet, supportive, and family-oriented. This is exactly the kind of space that museum projects create: so that you can come together, switch from daily hustle, and take home not only a finished piece but also a bit of calm.
Production
At the center of this event is Veronika Zabudska, who conducted the master class. The museum material does not separately mention an orchestra, conductor, or theatrical cast, as this is not a staged performance but an artistic activity.
Visually, such work naturally gravitates towards bright geometric forms and decorative composition, which corresponds to the style of Sonia Delaunay. This is usually what makes such master classes rewarding for beginners: even without complex academic drawing, you can create an impressive, lively piece.
Getting There, Duration, and Breaks
The event took place at the Poltava Art Museum (Art Gallery) named after M. Yaroshenko at European Street, 5, Poltava. For the master class, this is a central city location, so getting here logically makes sense by public transport or on foot if you are already in the center.
The exact duration of the master class is not specified in the published description, and there is also no mention of breaks, as this is not a staged event. In such cases, it is best to expect a format of a live meeting with practical work, where it is best to come without haste and allocate time for the process itself.
Prices and Who It's For
In the provided official description, the price is not specified, so it is impossible to talk about it accurately. For similar museum master classes, there are usually either free spots within the program or symbolic participation, but here I will not invent specifics.
This is a good option for families with children, for those who want to spend time together calmly, and for people who enjoy doing things with their hands rather than just sitting in a hall. This format can also be suitable for a date if you feel comfortable creating together rather than looking for a "wow effect". It is unlikely to be boring: gouache, color, and collaborative work usually hold attention well, especially if you enjoy informal cultural events.
Tips for the Audience
It is better to arrive a bit early for such master classes to calmly orient yourself in the museum and not start the class in a "running late and looking for a place" mode. Choose comfortable clothing that you don't mind getting a bit dirty with paint, even if the work is done carefully. If you are going with a child, bring a reserve of patience and a light mood for joint creativity — this is exactly the case where the process matters as much as the result.
During such a meeting, it is especially valuable not to rush and give yourself the right to simply paint, rather than "paint correctly". Would you choose such a calm daytime master class in a museum, or would you rather look for something more evening and ceremonial?
